Mastering
A master tuned to the track, not to a template.
30 credits up to 2 min, then +12 per minute — commercial release or video & podcast alike
The mix gets listened to first, then mastered in its own direction: level, balance, dynamics dosed to the track. The right amount, nothing more. Two destinations: the commercial release (streaming, WAV in the source format), or the sound of a video, a podcast, a post — mastered for the content, music or spoken voice, then set to the platform's exact level, edit untouched.
- Every setting follows from listening to the track.
- Loudness in line with today’s releases.
- Output in the source format — nothing degraded.
- Video, social, podcast: music or spoken voice, each gets its own treatment; the video comes back ready to post.
FAQ
Does it replace a mastering engineer?
It does the settings work, fast and clean. The accountability stays human: the platform is founded by a sound engineer.
One preset per genre?
No. Genre sets a direction; listening to the track makes the settings.
What about a video or a podcast?
The “Video, social & podcast” destination takes a video or an audio file. Social & YouTube, podcast, or punchy mobile: each destination has its level target, adjusted for music or spoken voice; peaks stay under −1 dBTP to survive re-encoding. Only the audio track changes — picture and edit stay intact.